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Net Worth, 2024
38 x 92 1/4 x 145 5/8 inches.
Mixed media installation.
Undiscovered Genius of the Americas (Inter Caetera), 2023
31 1/2 x 25 5/8 inches.
Paper collage, cassette tape slip sheets, felt, and gold leaf on paper, with gold leaf on wooden frame.
Fighting in the land of the free, while desiring a better future and Defending the disrupters as he looked into the infinite (diptych), 2023
Fighting in the land of the free, while desiring a better future, 2023
26 1/8 x 26 1/8 inches.
Tar, black glitter and cowrie shells on canvas with gold leaf on MDF, raw cotton and soil on reclaimed bicycle tire.
Defending the disrupters as he looked into the infinite, 2023
26 1/8 x 26 1/8 inches.
Tar, black glitter and cowrie shells on canvas with gold leaf on MDF, raw cotton and soil on reclaimed bicycle tire.
Speak, so you may speak again, 2023
In the absence of light, flip the script in your mind, 2021
57 7/8 x 72 x 18 inches.
Photo paper print on Dibond, acrylic, black glitter and 23 karat gold leaf on wood, gold paint on found chain, acrylic on vintage globe, vintage bronze Blackamoor figurines, candles and reclaimed encyclopedias.
Old Habits Are Hard to Break: A Subsidy for the Lost Cause, 2020
80 3/4 x 60 x 36 inches.
Mixed media site-specifc installation.
This is not assimilation, this is faux real (installation view), 2019
28 x 32 x 137 inches.
Acrylic on glass, soil, cotton, cotton branch, vintage football cleats with dried mud, dress shoes, reclaimed wooden ladder, reclaimed chandelier and antique plastic crow figurine.
MANUFACTURING DIVISION & HATE LOGISTICS, INC., 2019
45 x 30 x 8 1/4 inches.
Acrylic on canvas, used youth training boxing gloves, 18 karat gold paint, spray paint, and cam straps on reclaimed wooden shipping pallet.
MVP, 2017
In fear of the wisdom that will be, most young kings get their head█ cut off, 2015
83 × 48 3/4 × 3 1/8 inches.
Acrylic and black gesso on canvas, The Southern Theory of Relativity rendered in colored pencil on chalkboard, wooden crutches and crime scene barrier tape found near North Carolina Central University.
Hidden in Plain Sight, 2019
105 × 87 1/8 inches.
Mixed media.
In the land of the blind, the one-eyed man is king, 2015
85 x 85 inches. Tar on unstretched canvas.
What Does Revolution Sound Like?, 2010
163 × 86 1/2 × 31 3/4 inches.
Tar on unstretched canvas, with boxing gloves and accumulated dust on rattan chair and camouflage fleece on reclaimed speaker box.
Masters of the Game, 2012 (installation view)
74 1/2 × 77 × 140 inches.
Chalk on reclaimed chalkboard, acrylic on theater masks, inkjet print on paper, found books, cardboard, antique Eastlake armchair, wooden school desk, petrified chewing gum, teddy bear, hemp twine, ceramic owl figurine, and a feather.
Carry On, 2008-2010
20 × 21 × 17 1/2 inches.
Acrylic ink and black gesso on reclaimed suitcase, mounted on an iron planter, with a shadow on the wall and floor.
Head Full of Doubt, 2010
120 × 54 × 72 inches.
Acrylic, paper collage on hardcover books, white charcoal, ink jet print and petri dish on chalkboard, MDF letters, spray paint on picket fence, antique school desk and reclaimed his-story textbook.
Fear of a Black Planet, 2007
77 x 77 x 7 inches.
Acrylic, ink jet print in glass and wood frame, tar, red dirt, nails, chains, rope and found Confederate battle flag on wood, with straw boater hats.
An/ahata: Requiem for Thelonious Monk, 2000
68 × 60 × 16 inches.
Acrylic, oil stick, gold rub 'n buff, paper collage in metal and glass frame, vinyl record, piano keys, shoes, fabric, raffia, reclaimed piano keyboard, liquor bottles, Mardi Gras beads, medicine bottle, glass bottle, candles, cowrie shells, conch shell, brass bell, quartz, pecans, incense, hats, calabash shells, ping pong paddles, playing cards, toy car, white sage, peacock feathers, tassels and Carolina red dirt on baby grand piano top.
